![]() ![]() You can also use the Range tool to lasso various Video Effect parameters in the Video Animation Editor in the same way. Simply hit R for range tool, lasso the portion of the audio you'd like to lower or raise and voilà! Instant keyframes. This is incredibly helpful for hunting down specific moments of b-roll in those long, exploratory clips so prevalent in documentary shooting or finding start/stops for multiple takes on a shoot where the camera was left running.įinal Cut Pro's nifty Range tool is essentially a quick way to create four keyframes simultaneously in order to lower or raise the volume of a portion of a clip. Whereas most NLEs give you the option to view your clips as either a list or a thumbnail, Final Cut's view options give you the ability to see the entirety of your clips all at once as a filmstrip, without having to open them up individually and scrub through them in the source monitor. View clips as filmstrips in the event browser Check out the video tutorial below, skim through the article for the highlights, and see if you can spot the one feature that is available in other NLEs.ġ. With all this in mind, I wanted to take a look at some of the more day-to-day tasks an editor may be called upon to do on any given project and explore 10 ways in which FCPX sets itself apart from the other NLEs on the market in order to achieve some of these things. ![]() Organizing your media, doing temp mixes of audio, animating photos, utilizing effects to create different styles and just plain watching the footage. ![]() Sometimes editing is about the everyday, mundane tasks you end up doing with most of your time. However, it’s not always about the new fancy codec support or the robust new finishing tools and motion graphics. With the addition of some killer color tools, HDR, and now ProRes RAW support, FCPX is shaping up to be a real contender in the world of NLEs. Final Cut Pro X has been churning out some great, pro-focused updates in the last year or so. ![]()
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